Alice Guszalewicz as Salome.jpg 275 × 376; 26 KB. Luini executed several paintings of Salome with the head of the Baptist where the beautiful faces belie the brutal violence of decapitation. 1847 - d. 1927), Boston; gift of Mrs. Walter Scott Fitz to the MFA. 1858 - d. 1938), Florence [see note 3]. Found in the Collection of Szepmuveszeti Muzeum, Budapest. The author of this powerful yet restrained and elegant depiction of Salome with the head of Saint John the Baptist has continued to elude scholars, though the influence of Simon Vouet, and specifically his Roman Caravaggesque period, is evident. Learn more. At a celebration dinner, Salome so charmed Herod with her dancing that he offered her anything she desired—and Herodias convinced Salome to demand John the Baptist’s head. [3] Marilena Tamassia, "Collezioni d'arte tra Ottocento e Novecento: Jacquier fotografi a Firenze 1870-1935" (Naples, 1995), p. 224, no. 1507–9. Highly selective in his palette, Reni depicted this gory event with rhythmic grace, soft modeling, and elegant remove. Historical Notes: A three-quarter length portrait of Salome (identified by Jefferson as Herodias) holding the head of John the Baptist on a large platter. Chelsea La Count CRN 20109 Visual Analysis Essay (Alternate option) Guido Reni. Identifier. Dimensions. 22 1/2 x 18 1/2 in. Grasping a gold plate holding John the Baptist’s severed head, young Salome presents this gruesome prize to her mother. [2] Luca Beltrami, "Luini, 1512-1532" (Milan, 1911), p. 566, records this painting as being in the Duke of Ascoli collection. Prompted by her vengeful mother, Salome asked for the head of the prophet John the Baptist, whom Herod had imprisoned for denouncing his marriage. Strobel, a painter of Polish origin, tells the story on an enormous stage that represents to moment of the martyrdom on the far right, where we can see the saint´s decapitated body. Despite its biblical source, this work was meant for a domestic setting, whose owner would have admired the elegant presentation of a shocking story. The technique of contours blurred by delicate shadows and the specific facial types reveal the strong influence of Leonardo da Vinci. Metropolitan Museum of Art, New York. 1921, Duveen Brothers, New York; 1921, sold by Duveen to Mrs. Walter Scott Fitz (Henrietta Goddard Wigglesworth) (b. CARAVAGGIO Salome with the Head of St John the Baptist 1609-10 Oil on canvas, 91 x 167 cm National Gallery, London. Herodias and Salome with the head of Saint John the Baptist by Mattia Preti - Ringling Museum of Art.jpg 1,745 × 1,225; 309 KB Herodias by Paul Delaroche.jpg 2,560 × 3,522; 4.93 MB Herodias mutilating St John the Baptist's head Wellcome L0016275.jpg 1,222 × 1,528; 587 KB Salome is baffling; she turns away from the head as if to avoid seeing what has been done, her expression blank. 1910-02-24, Actualidades, Gemma Bellincioni, Alba.jpg 2,958 × 4,187; 4.07 MB. Available for sale from Robilant + Voena, Juan Bautista Maino, Salome with the Head of St John the Baptist (ca. Dimensions: 34 1/2 x 34 1/2 in. The Bible recounts how King Herod, captivated by the dancing of his stepdaughter, Salome, offered her any reward. (Accession Date: October 20, 1921)[1] See Napoli e i Luoghi Celebri delle sue Vicinanze, vol. Title: Salome with the Head of Saint John the Baptist. This work depicts the martyrdom of Saint John the Baptist due to the perfidy of Salome, who asked for his head after seducing King Herod with her dancing. During the Renaissance, John’s head on a platter was widely understood to be a symbol for the Host, or sacramental bread in the Christian ritual of the Eucharist. Physical Dimensions: 22 1/2 x 18 1/2 in. Prompted by her mother, she asked for John’s head. 51517. Medium: Oil on wood. Salome with the head of Saint John the Baptist, fresco by Evangelista Luini in the church of Saint Maurice at the Maggiore Monastery, Milan, Lombardy, Italy, 16th century. This raises the central, unresolved question of much of Reni’s late work: whether or not this picture should be considered finished. This painting captures a Bible story with a singular image. Download. Open today 10–11 a.m. members | 11 a.m.–6 p.m. public. Salomé With The Head Of Saint John The Baptist. Salome with the Head of St John the Baptist c. 1488 Tempera on panel, 21 x 40,5 cm Galleria degli Uffizi, Florence. Download . Salome’s stepfather, King Herod, had granted her a wish after she danced for him at a banquet. mma_salome_with_the_head_of_saint_john_the_baptist_437699. Download this stock image: Salome with the Head of Saint John the Baptist, ca 1525-1528. His 17th century Italian frescos made him the artistic darling of Bologne. Salome with the Head of Saint John the Baptist, 1500s or later. Salome’s dancing so pleased her stepfather Herod that he offered her anything she wanted. To help improve this record, please email . Follower of Bernardino Luini (Italian, c. 1480-c. 1532). Prompted by her vengeful mother, Salome asked for the head of the prophet John the Baptist, whom Herod had imprisoned for denouncing his marriage. The technique of contours blurred by delicate shadows and the specific facial types reveal the strong influence of … Repository: Metropolitan Museum of Art, New York, NY. The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. After charming Herod Antipas with a dance performance, Salome is granted a reward, and she asks for the head of John the Baptist to be brought to her on her mother’s behalf. Creator: Andrea Solario. ‘Salome with the Head of St. John the Baptist’ was created by Lucas Cranach the Elder in Northern Renaissance style. Download. (57.2 x 47 cm) Type: Painting. Her mother advised Salome to demand John the Baptist’s head, which Salome presented to her family in an elaborate dish. At her mother’s urging, Salome requested the head of John the Baptist, who had criticized her mother’s marriage. During the Renaissance, John’s head on a platter was widely understood to be a symbol for the Host, or sacramental bread in the Christian ritual of the Eucharist. Jean-Joseph-Benjamin Constant, Salome with the Head of St. John the Baptist, c. 1895-1898, oil on wood, 81 x 69.4 cm, National Gallery of Canada During the Renaissance, John’s head on a platter was widely understood to be a symbol for the Host, or sacramental bread in the Christian ritual of the Eucharist. Salome (Saint John the Baptist) 1510 Sebastiano del Piombo 1485 - 1547 (Saint John the Baptist was beheaded at Herodias' request, and his head presented to her daughter Salome on a charger. Accession Number: 32.100.128. She faces frontally with her head inclined to the right, and she wears rich, oriental robes of blue and gold. Max Size, 2108 x 3000px JPG, Size: 3.21 MB, 300dpi. Luini executed several paintings of Salome with the head of the Baptist where the beautiful faces belie the brutal violence of decapitation. The Gazzetta Ufficiale del Regno d'Italia (December 21, 1903), p. 5682, lists a Salome with the head of St. John by Luini in the collection of Sebastiano Marulli, Duke of Ascoli. Get premium, high resolution news photos at Getty Images Favourite Collect Standard, 1265 x 1800px JPG, Size: 1.53 MB, 300dpi. The painting illustrates the moment when the head of the saint is presented to the beautiful young woman. No blood drips from John’s head, and the color and illumination are cool; indeed, there is no specific setting, nor are any strong emotions depicted. Salome with the Head of St John the Baptist-Oil on wood, 59 x 58 cm Kunsthistorisches Museum, Vienna: The biblical source for the painting is Matthew 14:6-11 or Mark 6:21-8, where the daughter of Herodias danced for her stepfather, Herod, on his birthday. By 1845, Paolo Marulli d'Ascoli (b. 1611), Oil on canvas, 112.7 × 95.9 cm Download. External Link: http://www.metmuseum.org/art/collection/search/437699. Salome with the Head of Saint John the Baptist, oil on wood painting by Andrea Solario, c. 1507-9 CE. Salome’s story revolves around beauty, obligation, and cold loathing. Salome with the Head of Saint John the Baptist, c. 1527-1530. Max Size, 4700 x 3490px JPG, Size: 13.91 MB, 300dpi. The payback came during a banquet, when Salome performed a maddening dance, and prompted by her mother, asked the spellbound king for her reward: John's death. 32.100.81. The Beheading of Saint John the Baptist, also known as the Decollation of Saint John the Baptist or the Beheading of the Forerunner, is a biblical event and holy day observed by various Christian churches that follow liturgical traditions. Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. BRAMER, Leonaert Salome Presented with the Head of St John the Baptist 1630s Oil on canvas Musée des Beaux-Arts, Nimes. Salome with the Head of St. John the Baptist didn’t make Guido Reni famous. Salome with 2 (Naples, 1845), where a Salome attributed to Leonardo da Vinci is recorded in the collection of Paolo Marulli, whose brother was the great- great-grandfather of Sebastiano Marulli. Salome is merely identified as the ‘daughter of Herodias’ in the gospels, which lends itself to the idea that she was but a pawn in her mother’s games. 1867 - d. 1917), Duke of Ascoli and Prince of Sant'Angelo dei Lombardi, Naples [see note 2]. View Salome with the head of Saint John visual essay.docx from ARTS 1101 at Savannah Technical College. Artist: Spanish (Catalan) Painter (mid-15th century) Medium: Tempera and gold on canvas, transferred from wood. Salome with the Head of Saint John the Baptist, Louise B. and Frank H. Woods Purchase Fund. Salome, the daughter of Queen Herodias, so pleased her stepfather, Herod Antipas, by dancing at his birthday feast that he promised to grant her any wish. The day commemorates the martyrdom by beheading of Saint John the Baptist on the orders of Herod Antipas through the vengeful request of his step-daughter Salome and her mother Herodias. Title: Salome with the Head of Saint John the Baptist. Rather than depicting the actual execution, Duck focused on the executioner’s muscled physique as he departs the scene, turning to look at the viewer after having presented Salome with John’s severed head. 1766 - d. 1846), Naples [see note 1]; by descent to Sebastiano Troiano Marulli d'Ascoli (b. In this remarkable picture Solario achieves a striking effect by contrasting Salome’s idealized beauty and jewels with the horrific head of Saint John, held aloft by the cropped arm of the executioner. Get premium, high resolution news photos at Getty Images Salome with the Head of John the Baptist, 1607 Courtesy of www.Caravaggio.org Salome with the Head of John the Baptist is a disturbingly matter-of-fact image. Addeddate. Artemisia Gentileschi’s Salome with the Head of Saint John the Baptist (1610-15) omits Herodias, but shows the executioner placing John’s head on the platter held out by Salome. 2014-02-26 09:56:51. Information about image downloads and licensing is available here. 608. On her head is a large white turban with gold trim. Object information is a work in progress and may be updated as new research findings emerge. Date Created: ca. In this late work, the handling of the figures is broad, especially in the legs of the young page and the feet of Salome, which are only summarily brushed in. Favourite Collect Standard, 2820 x 2094px JPG, Size: 4.92 MB, 300dpi. 1648 Schweigger Salome with Head of St. John the Baptist anagoria.JPG 3,168 × 4,752; 10.43 MB. Provenance. Salome, an Edomite princess born of Herodias and the wife of Herod Philip I, carries the severed head of Saint John the Baptist on a tray, illustrating a Bible passage from Matthew (14:1–11) and Mark (6:22–28). Jusepe de Ribera (Spanish, 1591-1652) Facebook Twitter Pinterest. Find more prominent pieces of religious … (57.2 x 47 cm) Gallery_id. Credit Line: The Friedsam Collection, Bequest of Michael Friedsam, 1931. - R8D5BK from Alamy's library of millions of high resolution stock photos, illustrations and vectors. Other works of art recorded in Paolo Marulli's collection in 1845 passed to the heirs of his nephew. Details. In this large canvas, Guido Reni, a leading seventeenth-century Bolognese painter, depicted one of the New Testament’s more macabre stories. Salome then brought the head to her mother. The following 100 files are in this category, out of 100 total. At her mother’s urging, Salome requested the head of John the Baptist, who had criticized her mother’s marriage. With Elia Volpi (b. 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